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Frances E. Dolan
Battered Women, Petty Traitors, and the Legacy of Coverture
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Carrie F. Klaus
Architecture and Sexual Identity: Jeanne de Jussie's Narrative
of the Reformation of Geneva
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Sarah M. Dunnigan
Undoing the Double Tress: Scotland, Early Modern Women's Writing,
and the Location of Critical Desires
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Cathleen Calbert
The Museum of Tragedy (Fiction)
Kristin Barker
Birthing and Bureaucratic Women: Needs Talk and the Definitional
Legacy of the Sheppard-Towner Act
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Leslie J. Reagan
From Hazard to Blessing to Tragedy: Representations of Miscarriage
in Twentieth-Century America
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Pamela Carter Joern
Wonderful Words of Life (Fiction)
Joya Misra
Caring about Care (Review Essay)
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Laurie Lamon
Poetry; A Wonder (Poems)
Pamela L. Caughie
Graduate Education in Women's Studies: Paradoxes and Challenges
(Introduction to Forum)
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Judith Kegan Gardiner
Paradoxes of Empowerment: Interdisciplinary Graduate Pedagogy
in Women's Studies
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Pamela L. Caughie
Professional Identity Politics
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Sally L. Kitch
Ph.D. Programs and the Research Mission of Women's Studies: The
Case for Interdisciplinarity
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Jennifer Baumgardner and Amy Richards
The Number One Question about Feminism
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Anne Mamary
Interventions: An All-Woman First Year College Seminar
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Rebecca B. Rank
What You Can't Tell Just by Looking at a Girl
(After Her Mother Leaves) (Poem)
Anna Hiddleston
There Is a River in Painting That Flows Infinitely toward Us:
The Art of Agnès Thurnauer (Art Essay)
Cover Art
Maria Sibylla Merian.
Plate 18, Dissertation in Insect Generations and Metamorphosis
in Surinam, 1719. Gift of Wallace and Wilhelmina Holladay. National
Museum of Women in the Arts, Washington, D.C.
© Maria Sibylla Merian.
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